JERRY BERGONZI VOL 7 HEXATONICS PDF

Hexatonics (Inside Improvisation Series, 7) [Jerry Bergonzi] on * FREE* shipping on qualifying offers. Hexatonics, is the seventh volume of Jerry. vol.7 S:JJUJXJH L lOA S31~3S NOIIVSIAO~dWI 3alSNI IZNOH:l39 A1H:l3r.. .!:,-X 1t~)r:1L-:’ “~pter 1 D C C pter’: C C::a ;’ter 3. Jerry Bergonzi: INSIDE IMPROVISATION SERIES VOLUME 7: HEXATONICS, Paperback Book & CD Package, All Instruments, and thousands more titles.

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Jerry’s book is more practical than Gary’s book. U 1’1 ttl “-” “E-7 A7 D-7 G7 Of course, improvising and using only one particular hexatonic sounds very onedimensionaL Nevertheless, it is a good way to practice in order to make it your own. By using two triads, bi-tonal effects are created. He doesn’t write about why hexatinics presents the material in a certain order. Shit, I sound like I’m trying for a job as nerry publicist, but is this your basic point, reworded with my usual verbosity?

The sixth hexatonic is two minor triads a whole step apart. Try it, you might like it! It could also be used on minor chords. DIC Try playing 8 notes of any hexatonic melody using the notes of the grid as starting notes.

This can be very helpful in modal settings where there are no diatonic, cycle-forth root movements or resolutions and where each chord change may last a long time for instance, four, eight, or sixteen measures ” Bergonzi’s book is very well thought out and structured to be very useful as a practice tool.

Programma del triennio di di Thousands of pages of Jazz transcriptions! Also, does Bergonzi basically cover all of the material in the Campbell book or are they complementary? Some of the hexatonics presented in this book sound quite exotic and require attention to get in your ear. Jerry Bergonzi vol 3 – Jazz Line Education. G-7 7 Hexatonics in parenthesis create a higher degree of tension.

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Donate to Casa Valdez!! I had looked through some of his previous books but this one looked the interesting to me. G ‘ F-7 Bi: These are the work books from Jazz Harmon Viola vol 1 Jerry Bergonzi Vol D jC-Try playing 8 notes of any hexatonic melody using the notes of the grid as starting notes. Jerry Bergonzi- Pentatonics-Vol 2 Documents.

Jerry Bergonzi Vol 7 – Hexatonics

There is a full page of lines for each triad pair and a page for every key. I I F-7 Bb? Is Berklee College of music out of your price range?

Jerry has the triad pair written above the staff and the actual chord change written below it. In some instances you might want the more dissonant sound of minor 9ths. G-7 7 F-7 BP” Vvol course, improvising and using only one particular hexatonic sounds very onedimensional. This book is a great way to learn a to use a modern and usually confusing harmonic device for improvising over chord changes.

Do you want to voo what you’re missing?

Triad pair are basically the same thing as hexatonic scales. Jazz Saxophone solo transcriptions.

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Try integrating this approach with other melodic material. In most ofthe following examples and etudes accidentals only apply to the note they are attached to. Hexatknics over it sounds the: Try anticipating the dominant chord by playing the hexatonic on the preceding minor 7 chord. F;IC Try playing 8 notes of any hexatonic melody using the notes of the grid as starting notes.

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Nevertheless, it is a good way to practice in order to make it your own. Jeri Bergonzi edited and wrote the text. For example, the conventional chords used in the Vl idiom are oftentimes associated with parent chord-scales of seven or more tones melodic minor, major, minor, harmonic minor, and so on. Also, try improvising using any rhythm but starting your phrase on the notes of the grid.

Jerry Bergonzi Vol 7 –

Practicing hexatonics is great way to improve technique and it’s also great for ear training. There are numerous hexatonic scales. Hans-jorg Rudiger for suggestions and putting it all together. On a minor 7th chord, the upper triad sounds the 9, n 1 and One way to create a hexatonic scale is to combine the notes of two triads that jerrj have any common tones. IT Ffq r ra It fits well over diminished chords or dominant chords that are being played with diminished scales.

On some of these chords we are allowing much leeway. Sure, only a few different ones, but they’re coming out. This book will focus on the ones that are practical for the improviser and hecatonics. Published on Jan View brgonzi.