In , after Helene quit her job at Pomona, we went together to New York; after a few years she became the Director of Artists Space. If you are looking for a book to animate the scholarship on the group later known as the Pictures artists of the s and s, Jack Goldstein. Jack Goldstein and the CalArts Mafia is the compelling story of artist Jack Goldstein and some of his classmates at CalArts, who in the early s went to New.
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Hertz steps back and lets Goldstein’s friends, business associates, schoolmates and rivals recount their memories of Jack Goldstein.
And like the gossip its contributors appear to savor, it is a biting, controversial, contradictory, hilarious, and riveting read—while on the library bench or at the beach. Published September 26th by Minneola Press first published How to write a great review Do Say what you liked best and least Describe the author’s style Kack the rating you gave Don’t Use rude mxfia profane language Include any personal information Mention spoilers or the book’s price Recap the plot.
Bedeviling any response to the book even further is the peculiar space Jack Goldstein and the CalArts Mafia has unwittingly come to inhabit: There are compelling portraits of many well known art world personalities, including Mary Boone, David Salle, and Helene Winer, all working in a time when “the competitive spirit was strong and often brutal, caring little about anything but oneself and making lots of money.
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Jack Goldstein and the CalArts Mafia – Richard Hertz, Jack Goldstein – Google Books
Reviews and essays are licensed to the public under a under a Creative Commons Attribution-NoDerivatives 4. Chi ama i libri sceglie Kobo e inMondadori. I love Taylor Mead. Item s unavailable for purchase.
Alan Tofighi rated it really liked it Sep 30, It moves between the recollections of Goldstein’s peers and the artist’s description of his rise and fall. This book is an authentic account of the rise of contemporary art in the s and s. Urbanism, Politics, and Mass Culture with Norman Klein as well as the author mzfia the boundary-busting Desiring Machines1 the interviews in the volume under review provide surprising and unusual insight into an otherwise closed association of California schoolmates who transplanted themselves to New York City as they endeavored to shift the trajectory of contemporary art.
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Tim rated it really liked it Feb 16, There are provocative portraits of many well known artworld personalities of the 80s, including Mary Boone, David Salle, and Helene Winer, all working in a time when “the competitive spirit was strong and often brutal, caring little about anything but oneself and making lots of money.
See if you have enough points for this item. It is also incredibly chilling that Jack committed suicide 2 weeks after the final manuscript of the book was completed. We’ll publish them on our site once we’ve reviewed them. Feb 16, Tosh marked it as to-read.
Jack Goldstein and the CalArts Mafia
Want to Read saving…. We appreciate your feedback. Ana Iwataki rated it it was amazing Jan 04, Thus in form and content the book both navigates and constitutes an ethical morass, yet this is part of what makes it extremely engaging and eye-opening, if not essential, reading.
The contributors, particularly Goldstein himself, offer up bombshell art-world revelations with all the detached irony typical of the times. You’ve successfully reported this review. The most truthful, telling book about the inner calars of the art world that I’ve ever read.
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Jack Goldstein and the CalArts Mafia by Richard Hertz
Refresh and try again. Sam rated it liked it Sep 11, Feb 16, Andrew rated it really liked it Shelves: Nicole rated it really liked it May 30, It tells a tale of how they struggled with their inner creativity and the outside pressures of the art world as it became increasingly institutionalized.
Diego rated it really liked it Nov 20, As a former teacher at CalArts and former director of graduate studies at Art Center College of Design, his occupational goldstin geographic position allowed him personal access to most of the participating figures, and his experience as an intimate witness enabled him to extract some of the most unguarded art-world testimony in print.